My work deals with the outcomes of human-made artificial borders on fauna and flora. I research and decipher the variety of ways in which nature and wilderness have been altered and domesticated throughout the Anthropocene. I approach the lens of the camera, or rather, edit footage which has been documented by other cameras, with prior knowledge of viewpoints often portrayed in nature photography: the kitsch, the relation of nature to the viewer, and the scientific knowledge acquired by observing nature. Yet, in the untraditional subjects as well as means of photography and video,
I challenge common perception, and attempt to create and capture the visual autonomy of nature and its inhabitants. Throughout the 20th century, scholars and photographers alike recognized the shift in the subjects portrayed in nature photography. By exposing the forces that dominate nature, those who are free to roam and those who are forbidden entry into the frame, “landscape” evolves into “territory”.